i tested the waters
dipping my toes
but the lake was made of silence
that had turned a perfect blue
i tested the waters
dipping my toes
but the lake was made of silence
that had turned a perfect blue
the calendar blurred
the
boundaries between the
days;
we are
navigating silently,
where we are.
I could
but the key to the lock
was a
forgotten language
its words lost
to time and silence.
Is it a chickadee or a nuthatch?
I find myself unsure about this
and so many other things.
The feeder rests
under the overhang.
I hold my breath and stay still as they come,
their delicate beaks
extracting a single seed;
Their thanks seem to glow in the morning air.
I should replace their food.
How old is it?
Do they eat old food?
I feel unsure about this
and so many other things.
If I take down the feeder,
They might think it’s gone and fly away.
It would take 5 minutes
to refill
but to them,
Maybe that pause feels like five hours or even five months to them.
The rain has made them hurry
when they feed.
They swoop in and quickly fly away
as they flash against the gray sky.
I sit quietly, letting my coffee cool as I watch.
These are only brief moments
for me
Yet for a chickadee, it might be a lifetime
Or perhaps a nuthatch
I find myself unsure about this
and so many other things.
The driftwood, bleached by the sun, was entwined with seaweed.
It resembled the jawbone of a giant
cast ashore by a god more powerful than we can imagine.
To be a child again and allow such fanciful thoughts.
To believe in giants and gods.
And in a God.
‘I am a man,’ I tell myself.
‘I am an adult now,’ I tell myself.
It isn’t about giants hurling jawbones onto desolate shores.
It’s about storms, tides, saltwater, and sunlight.
I continue to stroll the barren shore.
It is autumn, and the biting wind drives most people away.
I stumble upon a teepee-like structure.
It was quickly built,
Obviously, the work of kids.
tourists, no doubt,
here for the summer – here for a day
on the coast of Maine.
I place my rain jacket on the sandy ground
inside the structure
and crawl in.
‘Here,’ I think,
‘This is where I will wait for those giants.
This is where I will wait for God.’
It’s no longer about the bracelet I bought for you, saying it was just friendship—the one I said wouldn’t be awkward. And it wasn’t, because I never gave it to you. It’s no longer about the small, delicate box left unwrapped at the bottom of my bag, a box I might leave there for months or even years. I wanted to leave as quickly as possible, which feels strange.
I remember thinking, ‘Please let the weather be good so I can catch the one-hour flight.’ Of course, I could take the twelve-hour bus ride, but that would give me more time to think about the stranger I bought a bracelet for. I made the flight; the weather was fine. When my bag came down the luggage slide, I accidentally blessed myself, partly wishing the unwrapped box would disappear, something I wouldn’t want to keep.
The crickets sing each night, starting at dusk. Not one or two, but thousands, each telling the entire story. Every year, again this year, they return to remind me of what I have forgotten, and what I keep forgetting. One might think the madness of these creatures would reveal their lesson. Perhaps the clamor of sound is a warning. “Ah, remember this, or they’ll be back!” But something is lost then, between dusk and when the birds return, and the frenzy of cricket song yields to the birds’ morning hymn. The birds don’t care if I forget again. They lull me into forgetting and the soft bliss of not remembering. That is sweetness.
A squirrel broke the
bird feeder.
How strange,
It was supposed to be
squirrel-proof.
They would leap,
trying again and again,
But the birds
just laughed.
Now,
The birds no longer come,
and they don’t
or share pictures.
A squirrel broke the bird feeder,
and we are no longer connected.
We’ve felt humidity break
and tongues tasting
of rich garlic
rain which cooled
and didn’t pull us apart
eyes to the east,
(and yours, westward)
how do the echoes sound?
i have an old accent.